As usual there's not much to chomp on this week. You know the drill as to
  why...lethargy, apathy, not enough really hotcha platters to keep up my
  interests, and most of all hardly any free time to indulge in those nowadays infrequent
  yet  necessary dives into the realm of sound. In other words, alla them things
  that used to keep my leisure activities from staying too long in the bathroom.
  Oh well, with the lack of NATIONAL GEOGRAPHIC Japanese pearl diver
  issues on hand maybe I should be limiting my toilet time to doing my necessary
  doodies, ifyaknowaddamean... Still, I sure could use more of that
  driving, raving, post-Velvet Underground music (hopefully created during the
  group's actual lifespan if not for a few measly years afterwards) 'stead of
  the patented and cookie cutter diarrhea that passes for cutting edge 'n based
  these sad 'n sorry days.
  Gotta say that there has been some news of worth that's good enough to rouse
  me from my self-imposed virtual suicide (which I committed ca. 1997 when I
  realized my life was
  never gonna
  happen). For one thing, the Alan Vega series of archived recordings that
  Sacred Bones is gonna unleash on us is one reason to keep one's bodily fluids
  up and about. As for the other well...gotta think on that one a bit but I'm
  sure that there are things out that that should keep any
  SANE, WELL ADJUSTED SPECIMEN OF A MAN like myself from crawling
  back under my crib.
Haven't been discussing much politics on this podium as of late, though at this point in time what with a verifiable drool-cupper in the presidential chair and a spread legged anti-virgin poised to take his job at any time (not to mention a load of hip 'n with it felchophants at the papers and tee-vee tryin' to make it all look oh-so-normal) all I gotta say is --- I really do hope that either Poland or Hungary annex the United States and really soon! Heck, if their troops were bangin' the door just rarin' to come in I'd definitely give 'em all a helpin' hand! In other words as Kenne Highland once sang, "Sieg Heil Mofos --- Amerika First!"
  Seems like Bob Forward's got the  award this week for most contributions
  to the cause with Bill and Paul following closely by with one each. In fact, I
  just got a doozy of a package from Paul which makes me very happy, since I
  know that there's one guy north of here who ain't spendin' his free time
  burning churches down ('n hey, as far as I'm concerned they just
  hadda bury 'em TB-riddled Indian kids somewhere or else the place woulda stunk to high heaven 'n the vultures woulda gotten to 'em!) Keep it up guys because if it weren't for you
  well, it just wouldn't be BLOG TO COMM!
  
  
  
  
    Greg "Stackhouse" Prevost-SONGS FOR THESE TIMES CD (Mean
    Disposition/Penniman Records, Spain)
 
  
  The third in probably a long line of Greg Prevost folky/blooze outings that I
  get the idea would stymie (or even buckwheat) a whole load of his old
  Chesterfield Kings fans. In fact, didn't Cee-Dee opener "Free as the Wind"
  show up on some Chesterfield Kings album way back when? Sounds kinda familiar.
  Acoustic strums featuring (what else but) tracks, some new and most covers,
  with stunning versions of Love's "A Message to Pretty" and the 13th Floor
  Elevators' "Splash 1" being the hands down highlights. Worst part of this
  package : the liner notes from David Fricke which aren't offensive 'r
  anything, but I still haven't forgiven him for that Von Lmo putdown printed in
  the pages of a 1981 MELODY MAKER.
  Pete Ubu-390 DEGREES OF SIMULATED SOUND CD-r burn (originally on Rough
    Trade Records)
 
  
  Hoo boy, do """""I""""" remember the big to-do when this effort
  came out! Early Pere Ubu live with a few tracks even featuring the original
  Laughner-manned version of the group when they were at the top of their form!
  Between that and the CLE flexi-disc featuring their live rendition
  of "Pushin' Too Hard" from the same show how could any real rock 'n roll
  maniac stand to be alive what with alla that hotcha pre-gnu wave (term now PD)
  rock that reflected the tastes of those who were still stuck in '76
  AND WERE MIGHTY DANG PROUD ABOUT IT IN THE FACE OF WHAT THAT SOUND WAS
      BECOMING!
  
  Forty years later this sounds just as fresh and cuts to the core of your
  under-the-underground sensibilities as ever. The five-piece version of Ubu had
  yet to wander off into that happyhappy watered-down version that sounded OK at
  the time before some elements of cringe made a few of us wanna upchuck it
  all. For those of you with the early-eighties and onward vision of Ubu in your mind this really'll remind you of just what a hard-edged no nonsense group they could be, firmly entrenched in the mad miasma of late-seventies under-the-underground rock with heavy duty thank you's being sent to the sixties/seventies cusp of rock 'n roll as that maddening mass of vibrations rolls over you like Crocus Behemoth running for the buffet table.
By the way, I noticed this way way back but nobody else seems to have mentioned it as far as I know, but have you heard the obvious similarities between Ubu's "My Dark Ages" and the Red Krayola's "Green Of My Pants"/"Nickle Niceness"?
  
    Various Artists-EGGHEAD cassette tape
 
  
  Mix, or as some wisenheimer would say "mixed up" tape from Bob Forward
  featuring things you wouldn't normally hear in polite company. The recent
  Anthony Braxton interview on NPR was pretty much what you would expect given
  the guy's unpredictable nature, though I was kinda shocked to hear what he
  sounds like today as compared to those spoken word tracks which appeared on
  his early albums. John Cage's
  RHENGA  AND APARTMENT HOUSE 1776 bicentennial effort's comparatively
  cozy when compared to some of his earlier orchestral efforts and even features
  Jeanne Lee via pre-recorded tape. Following's a Wire show from the
  mid-eighties when everybody who used to like them didn't anymore (but I find
  it about as passable as these Wire efforts can get) plus Devo on tee-vee in
  1980 long after they became one of those groups for people who wanted to be
  hip and with it but were terrified of James Chance and Throbbing Gristle.
Miles Davis-PAUL'S MALL, BOSTON 9/72 CD-r burn 
  
Its an FM radio broadcast featuring early-seventies Miles and crew doing
  some pretty good raga-y fusion that you can really wrap your nerve
  nodes around. Good sound and good performance featuring a backup filled with
  mostly passerby's in the world of jazz...best of all this'll warp you into
  some really far away sphere that'll make you forget just what a horrible
  person Davis was!
THE BEAU BRUMMELS CD-r burn (originally on Warner Brothers) 
Dunno why this '75 reunion platter got such hard knocks at the time, for it has a good sorta post-folk laze about it that I doubt anyone was gettin' outta the myriad assortment of post-Byrds platters hittin' the bins. Sure Sal Valentino doesn't sound as young as he used to and there are too many ballads for my tastes, but the music is still driving and the update from sixties folk rock to seventies country pop ain't as rocky as one would expect. There's even a bit of the old Brummels feel here and there and really, I guess any of you who were up and about back then woulda been scourin' the cutout bins of '76 lookin' for a copy of this...I mean, what's a wait of a few months anyway if yer gonna save a good four bucks!
  Captain Beefheart-OSLO '75/CLEAR SPOT cassette tape
  
  This 'un woulda definitely setcha back a good ten bucks or so (hokay, on a
  premium chrome tape!) had you bought a nth-generation copy from some fanabla
  way back 1980 way, but here it is fortysome years later an' I'm gettin' a copy for
  freefreeFREE!!! Given the rate of inflation and other important factors being considered
  ya woulda thunk it's be worth a good bazillion by now!
Anyhow this cassette's a surprisingly
  good-sounding (def "A-" using olde tyme grading systems) live show from right
  around the time when the dinge of those Mercury albums (which I thought were
  OK but you will beg to differ) had given way to the man as we once knew him.
  Lotsa classic sixties Beef here too including some rather treacherous
  recreations from TROUT MASK REPLICA, an album which as you all know is one of
  those sixties/seventies cusp albums that continue to be as soul-searing as it
  was when it first came out.
  The CLEAR SPOT cuts are mostly backing tracks which may or may not
  have ended up on the final product. Or so I'm kinda/sorta led to
  believe...can't be too sure with my album in storage at this point in time.
  Anyway that's for them real nitty gritty Beefheart fans to tell us lumpen
  lumps. But whatever, it's sure great revisiting 'em because, as we all know,
  we need more music like this and less music like
  that as the years dwindle on.
  
  
  Various Artists-PEANUT-BUTTER CHEYENNE BORDER GRITS CD-r burn (Bill
    Shute)
  
  
    Another fine muss what with a neat cover of the theme to the infamous
    tee-vee western CHEYENNE not to mention the usual country
    and mid-Amerigan local rock singles that never went anywhere but are once
    again given a chance to make it inna world of instant communication.
    Highlights include Lester Flatt's "I Can't Tell The Boys From The Girls"
    which has an even stronger impact here in the days of mix 'n match gender
    fluidity, Champion Jack Dupree as Meathead Johnson explainin' why he likes
    'em old 'n wrinkly and three-count-'em-three whoppin' versions of "Double
    Shot Of My Baby's Love". The BONANZA Christmas tracks weren't exactly
    welcome here in July ('n besides after years of thought I've come to the
    conclusion that this particular series paled next to the fifties/sixties
    western competition) and I coulda done without Sammy Davis Jr. --- had
    enough of that guy for about ten lifetimes already to want to give him the time of day ever again.
  
  ***
  
  
    You like rock mags? I like rock mags too, as long as they're filled with
    that hard edged offensive music scribing, the kind you used to find way back
    inna mid-seventies when everyone was too chemically-induced to really care
    what sorta snide comments were being directed against "minorities" by the
    gonz crowd of the day. If you like that sorta chicanery then well, I get the
    sneakin' suspicion that you'll really like these back issues of BLACK TO COMM that I have been pushin' on ya these past umpteen years. Then again
    you might not. I just can't judge the overall stupidity of many of you
    readers especially after reading some of the asinine comments you people
    tend to leave on this blog.
  
 
 
16 comments:
lol you just can't stop with the bee farts! :)
Hey chris...not saying sacred bones should stay buried but i got the first alan vega exhumation...the mutator lp. Lets just say it wont make you forget his first solo lp.
Brad, the vega dig ups 're gonna include some recordings made as early as 1971. There's sure to be some rather atonal wonders on those tapes or so my usually etapoint instincts tell me.
I may've been at that Miles show!
This weekend: Roxy, Ultravox, Cars in play.
Cheers!
PS: Last week I decided to give my Tin Huey collection a spin. Tossed it in the garbage. What did I ever hear in them?
Can I have your garbage?
Chuckle!
Too late, I'm afraid!
Cheers!
Because Alvin thinks Seals & Croft are better than Motorhead.
That's not nice. I like Alvin, and even Simon and Theodore which is something I'll bet the man never heard growing up!
To Lemmy: Although Seals & Croft is absent from my recording collection, I would rate them above Motorhead. Seals & Croft were pleasant enough drivel, but not my cuppa. Motorhead? Good for one larf, but lacking in musicianship. Central to my listening are classical, jazz and good rock. For the good rock: Zombies, Kensington Market, Beacon Street Union, Television, Chicago, BS&T, Ten Years After, Moody Blues, Left Banke, Roxy, Cars, etc. I sha'n't list the classical and jazz because I assume you have never heard of any of them. Stick to Motorhead. (Chuckle!)
To Chris: Ah! The Chipmunks! Good for many a larf!
Cheers!
I have heard of everything you have and then a whole lot more, Alvin. No offense, but your musical taste is uneven, terrible, and grotesque.
Television, the Zombies and the Cars should sue for being lumped in with dachshundscheisse like Chicago and the Bluesless Blues. And I refuse to believe anyone still listens to BST. I would rather get a root canal with no painkiller.
My dear Lemmy! Did I hit a nerve? (Chuckle!)
Go forth and enjoy Motorhead to your heart's content!
Me? I'll stick to Mozart, Metheny, Oregon, Weather Report, et al. The good stuff!
Some people like space opera yarns. Some of us like... Literature.
Cheers!
Dune is a "space opera yarn." People will still be reading it as a serious classic long after the "Literature" you prefer has all been forgotten.
I don't know why you're so proud of having the taste of a 13 year old Girl Scout from 1974, but even she doesn't want it back.
Cheers, Lemmy! Cheers!
Beers, Alvin. BEERS!
Did a Hampton Grease Band boot review disappear from this site? CONSPIRACY!
Shaman, try this link: https://black2com.blogspot.com/2016/03/hey-twas-nice-week-at-that-even-if-i.html
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