COMIC BOOK REVIEW BY BILL SHUTE! CAPTAIN COOK OF SCOTLAND YARD (Golden Age Reprints)
Have you ever noticed how, here in the good old USA, five people could say the exact same thing, but if one of them says it with a British accent, he/she is better received than the Americans. The same seems to be true in popular culture. There’s always been a place for the “charming Englishman,” ranging from Arthur Treacher to Cary Grant. And on present-day PBS, in any 12-18 month period, there are probably a dozen British mystery shows being aired. For a while, there was even a sub-genre of British crime-solving clergymen, when both Grantchester and Father Brown were being aired in the same week. You can even subscribe to services like Acorn TV or the BBC America channel and get non-stop British TV.
In the post-Sherlock Holmes era in the first half of the 20th Century, that Anglophile tendency even trickled down into comic books, and exhibit one is the character under review today, Captain Cook Of Scotland Yard.
Captain Cook appeared as a guest comic in a few different magazines of the late 1930’s and early 1940’s, but what’s collected here are his stories in SMASH COMICS issues #1 - #13. Smash was published by the legendary “Quality Comics,” and it ran from 1939-1949 for a total of 85 issues. The Cook stories ran in 1939 and 1940.
There are 13 stories collected here, all running either four or six pages. They all move quickly, and are entertaining and adequate in terms of crime-solving comics. What’s most of interest to me about this series, though, is that whoever wrote it and drew it didn’t seem to know much about Britain or things British. Oh, Scotland Yard is mentioned, and there’s an occasional reference to someone being a Lord or whatever, but other than the lead character being called a representative of Scotland Yard, this could be a 100% American character working out of Chicago or New York. The geography in the artwork looks totally generic in terms of place, no one speaks with British syntax, no one spells COLOR with a U, the buildings look American, the characters talk like people in any American crime B-movie, etc.
As with a number of series in either comics or movies which were running out of gas....or where the people making the comic or the film already know there are only a few installments left....the later entries seem more haphazardly composed and plotted, and we move more into weird, almost-scifi territory, where you don’t have to develop much of a mystery plot and plant clues....just have some weird phenomenon that can be explained away in the final few panels, completely removing the whodunit element (or even the HOW-dunit element or the HOW will the murderer be caught element) that is usually necessary in a detective comic or story or movie.
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