Friday, November 18, 2016

COMIC BOOK REVIEW BY BILL SHUTE! JUNGLE JIM #23 (Charlton Comics, April 1969)


Between my sophomore and junior years in high school, I was kind of lost. I worked part-time at the Jefferson County Fairgrounds tending to horses, digging post holes, and being a general go-fer, but I was not yet old enough for a real job. I was also not old enough to drive, although even if I had been, I had no money for a car or car insurance, and my parents were always savvy enough to not let me ever use their car for anything. I spent most of my time “hanging out” and engaged in various disreputable activities. I had a cousin on my father’s side, someone I saw maybe twice a year, who was in his 20’s and whose girlfriend had some connections in Western Nebraska. My cousin was aware of some of my extra-curricular activities, and mentioned to my parents that he knew a family who ran a hog farm and horse ranch over there and that these folks could use a teenager like me for a few months during the summer. They would feed me and house me and also pay me much more than I was making at the Fairgrounds, as it was full-time work. It was in the middle of nowhere, relatively speaking, so I would be free from bad influences, or so he claimed.

My parents went for it, and then presented the deal to me, with my cousin there to “close the sale,” as they say. I had no objection to it. I sometimes listened to a radio station from Lexington, Nebraska (which I could pick up after the low-wattage daytime-only AM stations in Colorado had gone off the air for the night) in my room late at night and before sunrise, so I knew the general area from that, and indeed, I’d listened to the morning agriculture report every weekday at 5:00 a.m. when I’d get up during the school year. My father worked the night shift at the King Soopers grocery warehouse in West Denver, and he got off at 5:00 a.m. and would get home at about 5:20. I would have a cup of de-caf coffee and some toast waiting for him every morning, and while I was in the kitchen making it, from 5-5:20, I’d listen to that agriculture report on KRVN, from Lexington, Nebraska. I would chat with my father for 10-15 minutes as he ate, and then he’d go to bed after a long night’s work, and I’d get ready to head off for high school.

This hog farm was about 20 miles west of Lexington and employed about eight boys ranging from 14-17 for various periods during the summer. I was scheduled to go there for ten weeks and was sent a Greyhound bus ticket. My mother made me some salami sandwiches and gave me some cans of Diet Dr. Pepper, I brought five changes of clothes (we had access to a washer/dryer, I was told), toiletries to last ten weeks, a portable radio and some extra batteries, and a book of James T. Farrell’s short stories. After my mother checked my bag before I left, I slipped in two packs of unfiltered Lucky Strike cigarettes.


The family who ran the place, Mr. and Mrs. Raney, were certainly nice enough. This was no exploitation of adolescent labor, but it was hard work. However, the Raneys got up earlier and worked harder and longer than any of us did, so I could not complain, and when any of us faced an unruly hog or a crazed stallion, they were the first to come over and help us.

They had many barns, and one of them had half of it divided up to create what resembled individual sleeping areas for each of the boys, kind of like a room, but with a six-foot-high divider between myself and the next guy on each side. If you could get past having hogs on the other side of the barn and not having a lot of privacy, it worked out fine. We each had a light and an electric outlet too. I’d slept in worse than the bunk I was provided with, and the straw on the dirt ground was good for atmosphere. Of course, with nothing to do most nights, we wound up sneaking smokes, looking at issues of PENTHOUSE that some of the other guys had brought, playing cards, and the like. Also, after Thursday’s and Friday’s work was over, after the sun went down, our work supervisor, the Raneys’ son-in-law, Eddie, would discreetly give us each a can of some cheap beer, the kind with Milwaukee in the title, and we had to drink those in one of the outlying buildings on the property where the welding was done. Eddie knew we appreciated that gesture and that we would not turn him in for doing this----if we wanted to continue getting the beer, that is----so the beer continued each week throughout the summer

We also got a trip to Lexington, the “big city” to us, Saturday afternoons. Some of the guys would blow their money each week, but I tried to save as much as I could, and would buy only a pack of cigarettes per week and maybe a comic book or two. We also were taken to the occasional rodeo and country music concert in town. The acts booked at the Lexington Armory tended to be old-school country singers whose careers had faded to some extent but who still had large rural followings, and this kind of artist would still get their singles played on stations like the one in Lexington, singles that never rose above #30 on the country charts. I remember seeing artists like Bob Luman and Faron Young there on Saturday nights as we drank Fanta Orange soda and ate Moon Pies.

One Saturday, after I’d been there a week or two, I went into the drug store on the main street and bought a Cherry Coke, made in the old soda fountain way, with real cherry syrup stirred in, and enjoyed it while I perused the comic book rack. In terms of pages for the money, the best buy seemed to be a TARZAN FAMILY GIANT from DC, which cost 50 cents, and which featured a whole grab-bag of Edgar Rice Burroughs creations: Tarzan, Korak the Son of Tarzan, John Carter the Warlord of Mars, Pellucidar, etc. That looked exciting, and it was certainly better than the various comics featuring costumed super-heroes, which other than the occasional Batman or Spider Man, were not really to my taste. I paid for it with two quarters, rolled it up and put it in my back pocket, and headed over to the truck for the trip back to the farm. Eddie asked me what I’d bought, and I proudly showed him my TARZAN FAMILY GIANT. He smiled and told me, “do you like that kind of thing? My little brother is in the service now, stationed in Greenland, and he left a bunch of comic books. I’m not sure what they are, but they aren’t doing him any good up there, so I’m sure he’d love for you to have them. Next time I’m at the house where he lived, I’ll find them for you.”

Sure enough, four or five days later, he gave me about ten random comic books, the most interesting of which was a run of six straight Charlton JUNGLE JIM comics from 1969-70, which would have been four or five years old at that time. Each night, I would go behind the sow barn on the northern edge of the property, where there was a spotlight trained on the ground to keep away any would-be hog thieves, and I’d sit and read one of the JUNGLE JIM comics a few times and have a Lucky Strike or two. After that, I’d head over toward the edge of the property, near the dried-up creek, in the dark and illuminated only by moonlight, fire up another Lucky, and just look toward the western horizon. I would imagine all the exotic places in the world that I’d read about in comic books, knowing full well that something like Jungle Jim existed in some kind of composite make-believe world that mixed together imprecise details from various continents and from comic book writers’ imaginations, fueled by old movies and serials, writers who’d never been east of Hoboken. I would see the random light here and there, maybe a fourth-hand reflection of some truck on the state highway headed toward Wyoming, and I’d hear distant sounds which could not really be identified, but which could become virtually anything in my imagination. Then I’d gradually start to fade and wander back to the barn where we stayed, and only a few of the guys would still be up, playing cards or talking about make-believe romantic encounters. I’d put on my radio low, listen to Garner Ted Armstrong pontificating about world affairs and Bible prophecy, and fall asleep eventually to dreams of Midwestern life and the corn-fed local girls I’d seen in town and at the concerts at the Armory who seemed so different from the ones back home. I’d never meet them in school, of course, as I’d be back in my old stomping grounds in Colorado when the school year began, but I dreamed about having my own Nebraska spread with hogs and horses, the kind that Johnny Mack Brown would always talk about retiring to in one of his westerns I’d watch Saturday mornings back home.

Since then, now more than 40 years ago, I’ve lived through what seems to be four or five lifetimes, I’ve moved to other states such as Oklahoma, Virginia, and Texas, I’ve seen a lot of good people chewed up and spat out by life, and I’ve seen a lot of sleazeballs and scumbags and hypocrites thrive and somehow get the prizes that society has to offer. Every once in a while, I’ll see someone my age, someone who probably has had a similar trajectory through life as I have had, and we’ll look into each other’s eyes, male or female, and we’ll each know that that person too has looked into the void and come back....to live day-to-day, enjoy the small pleasures, and listen to the silence of a rural summer night. Those who know do not speak, and those who speak do not know.



As I hold in my hands and read through JUNGLE JIM #23, which has somehow made it through the decades with me, I see a no-BS man who gets the job done, who doesn’t talk unless he has something to say, a man who respects others’ space and who can fit chameleon-like into whatever culture life brings him into. The comic books’ Jungle Jim is not as affable and charming as Johnny Weissmuller was in the dozens of films devoted to the character, but that just makes the comic book Jim more like a real person and less like a movie star. I’m resting on my front porch after dark now (though I no longer smoke), here in 2016, figuring out when I’m going to pick up my grandson tomorrow after work for an outing at the park with Grandpa Bill, and the hushed late-night vibe brings me back to that hog farm in Western Nebraska, imagining Jungle Jim making his way up some non-existent river in some non-existent frontier which mixes cultural and geographical elements from three different continents. Tomorrow morning I’ll be up again for work at 5 a.m., though I’m no longer working in the hog barn, at least not literally. It’s easier to put up with the bullshit of daily life when you know that Jungle Jim is out there somewhere. Maybe I’ll meet him someday at that Colonial Trading Post on the other side. 


This comic cost 12 cents when it was new, and that’s about 3 pages per cent. That kind of value is long gone....as are most family farms....as is Jungle Jim in modern culture. I read where someone was talking about bringing back Jungle Jim, but that won’t work as he’ll be eviscerated by political correctness, and his “backstory” will be “re-imagined” by artistes with MFA’s who’ve sat through too many Tarantino films and binge-watched too many Netflix and HBO series. Maybe Jim can be allowed to quietly retire in Florida, and we can get together at a dog track over a beer and a pizza slice. He won’t say much, but his eyes will speak volumes, as will the respectful way he treats the counter help and maintenance workers at the track. He might tip me off to a good quinella in the fifth race--he knows what to look for in an animal.

Those who know don’t speak, and those who speak don’t know.

Wednesday, November 16, 2016

COMIC BOOK REVIEW! SPARKLER COMICS #1, July 1941 issue (Ecomics Space)

Avid comic book collectors as well as run of the mill comic strip fans are undoubtedly familiar with this particular title in which a vast selection of United Features Syndicate comics got the royal reprint treatment throughout the forties. And for good reason too, for SPARKLER, along with cyster publication TIP TOP, was and remains easy enough to come by in the used comic book market. Not only are they (even to this sorry day) relatively cheap even in NM condition but during a time when such comics as NANCY were hard to come by reprint-wise titles like this most certainly helped satiate out hunger for those long-forgotten strips that only people like ourselves seemed to care about. So when I discovered that Ecomics had reprinted the debut issue of this seminal title you can bet I jumped on it like Elton John on a schoolboy, especially with the vast array of comic strip stars featured on the cover from TARZAN and NANCY to the rather hotcha ELLA CINDERS who will be the subject of a future post believe-you-moi.

Funny thing is that both TARZAN and NANCY are nowhere to be seen anywhere in the book even if their visages are plainly displayed on the cover. CINDERS pops up on two pages, and thankfully it's the early Ella with the nice pageboy-like hair who can even be seen sporting some shapely boobs by this time. Why the others were axed I dunno, but I get the feeling that it may have something to do with copyright laws, or the fact that I'm sure the property owners are still concerned about those strips but hey, ELLA CINDERS has been outta work since the early-sixties and who other'n me remembers who she is anyway!

The big front cover plug spot's devoted to "The Spark Man", a dude who I ain't ever heard of before or since so's I get the impression that he was a superhero created especially for this title in order to cash in on the costumed good guy trend. The most unique thing about this hero is that NOBODY knows who his alter ego is, and that includes YOU dear reader! He could be newspaperman Quill Davis or man-about-town Vic Hall or even concert violinist Omar Kavak! But whoever he is you can be sure of one thing...next to the comic heroes that DC and Quality were churning out the Spark Man was one guy who was gonna head straight into superhero oblivion because hey, once you get down to the heart of the nitty-gritty his entire schtick was fehsville. Something tells me that this guy was the inspiration for "Verman" who appeared in a couple of NATIONAL LAMPOON "Rock Bottom" comics.

Now for DA REPRINTS, and they are hokay even if  DANNY DINGLE is grade-z humor and the likes of DYNAMITE DAN and BRONCHO BILL lack the hard-drive of any personal adventure comics fave you can dredge outta your mind. My personal fave rave of this bunch just happens to be the CAPTAIN AND THE KIDS story where the characters from this legendary KATZENJAMMERS knockoff land on an island and tangle with pygmies whose males look like typical old timey comic strip native types and the women Polynesian wowzers! Boggles the genetic brain that's for sure, but then again anyone who watched JUNGLE JIM mooms with South Seas-type natives in Africa would have known this by now.

They may have skimped on the TARZAN and NANCY comics, but the original ads are sure fun to read. I sure could go for a "Frozen Chocolate Shake" bar "with nuts and fruits and chocolate thick"! Now that sounds like something  that would taste good onna hot summer day, and the best part about it is that the confection woulda only cost 'cha a mere two cents in 1941 money which'd mean it'd set ya back a good three bucks today! Sheesh, back then the coin you'd find onna streets sure went a lot farther than it does now, and you can bet that your average pop bottle collecting kid of the day could have a whole lot more fun with the pittance he'd find around town than his descendants these days can!

But sheesh, if they only still had Frozen Chocolate Shakes available!  I get the idea that this particular confection probably went out with Tootsie Roll Fudge and Shake-A-Puddin' and all those other great taste treats from the past that fit into our suburban slob lifestyles a whole lot more than Nutrathin ever could!

In all, this repro ish of SPARKLER was a great blast back to the days when things were a whole lot more funner'n they probably are for kids these days (though I keep forgetting...there are no kids anymore, but small adults waiting to get big!). And the way I look at it is sure, you may had had stern parents and cruel teachers and classmates who were always at your throat and learning disabilities and ugly looks and maybe didn't smell so good, but at least you had comic books like SPARKLER. And really, what else more would you want in life?

Monday, November 14, 2016

MOOM PITCHER REVIEW BY BRAD KOHLER! GIMME DANGER, directed by Jim Jarmusch!

Being someone who would select the thousand dollar square right off the bat in Double Jeopardy if the category was the Stooges, what could I learn from Jim Jarmusch's documentary?

Alex Trebek: "A Luftwaffe uniform".

Me: "What did Ron Asheton wear to Iggy's wedding"?

Alex: "Correct for a thousand".

Me: "You see Alex, he did it in deference to the bride's Jewish heritage, the Luftwaffe being non-political soldiers, unlike the S.S. Of course, he wore that uniform more often".

Alex: "You really needn't extrapolate, it's not like you get extra credit. I don't even know who the Stooges are. This is odd".

Me: It's OK. You're in a dream I'm having. Let's try Von Lmo for six hundred".

These are the things I took away from the film.

1) Kathy Asheton is mentioned quite a bit in Stooges lore. She is interviewed here in the present day, and FINALLY I get to see a photo of her in her badass, hot Detroit girl prime. She and Fred Smith would have made the coolest prom king and queen ever, it they had deigned to attend something so lame.

2) Scott Asheton, interviewed here towards the end of his life (looking and sounding frail) is, as we all know, the greatest Stooge, and his pithy responses got the biggest crowd roar reaction.

3) Where are the demos of RAW POWER material like the tantalizing snippet of a faster, punchier "Penetration" with Iggy singing "I feel hungry" over the top?

4) Jarmusch, not the most conventional of film makers, has made a very conventional documentary about a very unconventional band. At almost two hours, it could have benefited from some editing. The whole reunion coda should have been an asterisk. Jarmusch spends as much time on how it came to be as he did on how the band got together in the first place. Iggy mentions watching SOUPY SALES as a kid, and how Soupy encouraged viewers to write to him, stressing that letters should be twenty-five words or less. Iggy remembered that, and used it as a template for writing lyrics. Economical is better. Jarmusch should have taken a heads up.

5) To get this right, the project should have been done years ago, when more peripheral characters were still around, but what ever went right when it came to the Stooges?

6) As the RAW POWER-era Stooges dissolve, Tony De Fries of Mainman wanted to take Iggy to New York to portray Peter Pan on stage. Almost all limeys are idiots. Something about that goofy diet I guess.

7) Why tell the Nico story if you're gonna leave out the best parts about her teaching Iggy the best parts about her teaching him about wine and how to eat pussy and telling him "Jim, you are not full of ze poison! A performer must be fill of ze poison!"

8) Any Stooges documentary should discuss the concept of the "O" mind, and this spiritual manifestation, as important as the theory of relativity, is not touched upon. Sorry to say, when you get the DVD, GIMME DANGER will not elevate you to the real "O" mind plane. I suggest that instead of listening to the bonus commentary track you construct a "Jim-O-Phone" and alternate playing that and banging a fifty gallon oil drum. You may want to get creative with what you put on your popcorn too.

Sunday, November 13, 2016

Well yeah, another slimmie here. Chalk this week's rather anemic post up to a numbuh of thingies from real life craziness, general lethargy and (best of all) the lack of anything crucial to get my brain juices a flowin' like they should. But sheesh, sometimes I do find it hard to get through my head that its not 1977 anymore, or 1972 or 1966 for that matter back when music was a whole lot more exciting than it was when the eighties started to creep up on all of us. Sad to admit this up and front-like, but alla the predictions I made about the state of the 21st century way back inna eighties have come true, at least regarding rock 'n roll as a vital force in our lives that was supposed to be the all-important soundtrack to a higher state of lowbrow living. But then again, who couldn't predict that there just wouldn't be a rock kultur for a buncha suburban slob baldo paunches who still spin their 1981 Bomp! record orders just like they did the day they got 'em! I mean, some market there, eh??? But we're here (or at least a few of us), we're bald, old, maybe even tubboid, and at least we still got some of our hearing so blast away!
***
Yezyezyez it's finally over and wounja know it but Donald Trump did come out on top of Hillary, and not the way alla you sickos are thinking (wishing??? hoping????) it would. I guess that Cher's suicide watch'll hafta go on for just a li'l bit longer than planned, and although I have nada against Canada or Canadians (well...some of them!) I heartily welcome that big rush of limousine liberals and assorted Last Angry Moose types (and hopefully Bruce Springsteen) to the Great White North even though that place is already overrun with a whole batch of dyed in the wool hats neo-Marxists (hey I should know, I read BLAZING CAT FUR). Well the good news for you normal Canadians out there is that they're all heading for NEWFOUNDLAND so maybe you can all rest just a li'l easier knowin' that they're gonna be far far away from you probably sweating it out in some rural shack with only a pot bellied stove to keep them company. A far cry from the lives these pampered individuals had been living but hey, that's the price for sticking up for what'cha believe in!
***
And now for the moment we've been waiting for! Once again the offerings presented this time were gibben to me by a couple of well-worn fans (most namely Bill Shute and Paul McGarry) who really saved me a bundle burning these platters for my own personal fun and jamz...otherwise I'd have to pay mucho dinero for this junk! All kidding aside, like, uh, here it is.

Bob Wayne-'TIL THE WHEELS FALL OFF CD-r burn (originally on People Like You Records)

When I began listening to this particular spinner I thought it was gonna be one of those "new country" type offerings kinda like the stuff they always have playing at the Dollar General Store when they ain't playing the glitzy top forty station that's sounded the same these past thirtysome years. Well, in many ways  this does come off a bit like the new hip twang thang I guess is popular with the proles out there, but at times Bob and band do hearken back to the glory days of Peter Stampfel and that late-eighties urban folk style that was birthed with the Rounders and sorta grew from there. Not really bad at all, though not exactly my cup o' high energy blastout post-Velvets neo-kraut space splatter.
***
Rajput and the Sepoy Mutiny-FLOWER POWER SITAR CD-r burn (originally on Design Records)

Haw! If Aunt Maud was the kinda gal to get you one of those cheapo Beatle ripoff albums she saw at the supermarket for 99-cents as a Christmas present, who would she buy FLOWER POWER SITAR for??? My guess is yer bachelor Uncle Walt, the one who liked to sit in that e-zy chair of his at night and watch MANTOVANI a whole lot. Never to miss out on a trend, Design Records take to the East with this offering that has some particularly twangy sitar playing along with the hits of the day done in that studio musician style that sounds beautifully antiseptic the way I always liked my Roxy Music albums to be. Nothing radical about these treatments of "Sweetest Little Fellow" jazzed up only in the slightest as some tasteful sitar strains play the lead. Sheesh, I'll bet that Uncle Walt liked this 'un even more'n the lava lamp and neckerchief, and you would too!
***
Rudi Protrudi-UNFUZZED CD-r burn (originally on Hound Gawd Records)

Well I guess if Greg Prevost could go the booze root then Rudi Protrudi could do the same thing as well! And the Fuzztoner does a pretty good job of it just like Prevost did! Of course there are differences twixt the two's output what with Protrudi playin' with an honest to goodniz band 'n all, but it sure sounds just as boffo as some of those under-the-radar blues acts that were getting their nods from the seventies onward. For some reason the Nighthawks stick in my mind which is strange since I ain't heard anything of theirs in o'er thirty years! Whatever, if you like those urban white guy blues outfits that were popping up with an alarming regularity ever since the mid-sixties (talkin' the ones that didn't suck) then you'll get a nice kick in the groin from this 'un as well!
***
The Briefs-HIT AFTER HIT CD-r burn (originally on Dirtnap)

Sheesh, didn't know that there were still any Ramones-influenced rock bands flowering across the map, but according to this release there was at least one back 2000 way. The Briefs do the ramalama drill sound good just as well as the Ramones used to, so if you're a big fan of Joey Johnny Dee Dee etc. you might like this one just as much as you liked the Suicide Commandos and all of those other Ramones-influenced brethren. Either that or you'll probably think that it's all a huge blasphemy against the original punk rock intent of it all and frankly I can see where you would be coming from!
***
Various Artists-SIXTIES REBELLION VOLUME 7, THE BACKYARD PATIO CD-r burn

Sheesh, is it hard to keep up with these sixties garage band samplers featuring the rarest of the rarey rare 'n all! But here's one I don't think I've heard of before, and it's a better'n I woulda expected collection. Once again the teens of the mop top era put their two cents into the new rock as aht mooment where even philosophers could prattle on about the Beatles, crankin' out more of those sad tales o' woe to a variety of minor chord melodies slyly copped from Paul Revere and the Raiders albums .As usual there's nothing that's outta the special here but hey, they can't all be BACK FROM THE GRAVE! The lack of liner notes fails to give me the low down regarding the Winkys employees and various other rapscallions who recorded these tracks, but somehow I get the feeling that maybe I just don't wanna know (after all, one of them could be your mother!).
***


The Allah Las-CALICO REVIEW CD-r burn (originally on Mexican Summer)

Another groovy goodie from this up and cummin' band. Like their previous endeavor(s) there's a great sixties-pop feeling that sounds as authentic as the real pop rock that was coming out at the time. I could be more'n OBVIOUS and bring up a whole slew of familiar names to compare this 'un to like the Flamin' Groovies for example, but I won't. I do hear some traces of what I'll admit is the cooler of the mid-sixties nerd brigade (Chad 'n Jeremy??? Yes!!!) thrown in with other mop top references yet it sounds way better'n some of the gal gaggers that were around a good fifty years back. Even some West Coast rumblings to be found therein. One that probably won't make much of a splash in the realms of rock 'n roll, but given just how wussified the entire music scene has been these past few eons what else is new?
***
Various Artists-MATALO FLAKE LOBOTOMY CD-r burn (Bill Shute)

Bill really flung on the ol' rock 'n roll advertisements here (Gary Lewis and the Playboys for Kelloggs, not forgetting a slew of album and moom pitcher promos including one for VINCEBUS ERUPTUM) as well as some corny gnu wave such as the Space Lady singing both Steppenwolf and the Electric Prunes to a casiotone clunking machine (not forgetting the Metronomes, who don't sound quite as good as their namesake). Kinda wonder about some of the weirdos present---like, is Melinda Ligeti related to Gyorgy in any way and what the heck was the Randy and the Rest "Vacuum" side about anyway!!!! Winner of the batch...the Manikins who do the Flamin' Groovies ca. SHAKE SOME ACTION and late-seventies mop top revival pretty snat-like which just gets me to thinking that there must be thousands of these undiscovered groups who made records like this throughout the seventies and we'll NEVER get to discovering 'em all, let alone give 'em a listen to! Waah!

Thursday, November 10, 2016

BOOK REVIEW! OUT OUR WAY 1924 DAILIES by J. R. Williams (Ecomics Space, 2016)

Now things are beginning to cook for OUT OUR WAY what with the Western storyline beginning to firm up a bit and the Curley character (he being the hands-down star of this particular sub-series) finally being developed even if his nose ain't bulbous yet (not forgetting the an on-going saga where the guys are hot and bothered over the new school marm). The kid gang stories (complete with the standard chubboid and the turdler hanger-on) are starting to gel as well what with the kids making that special effort to head towards Cannibal Island (which I assume is the same Cannibal Island of KATZENJAMMER KIDS fame) at least before school is back in session or it gets dark, whichever comes first. And yeah, Wash Funk and Elf Dakin are still around even if you an tell Williams is running out of gags for the two of 'em. Well, it wasn't like they were that endearing 'r anything...

Whatever, a grand collection of comics that are of course "important" when you talk about the funny page and its history and where it was and is goin' an' all but hey, I've done some research and these things are also good for just plain' enjoyment! So yeah, if you wanna kick up your tootsies some evening when there's nothing grabbin' ya on tee-vee and live life kinda like the way the old folks did a good hunnerd years back well, this book might help out just a bit even with all the comforts of 2016 ragin' and roarin' in your abode.

Tuesday, November 08, 2016

COMIC BOOK REVIEW BY BILL SHUTE! WHODUNIT? #3 (D. S. Comics, December 1948)


D.S. Comics was a small, independent comics publisher active for a brief window of time between 1947-50. According to the massive Comics.org database, they began publishing song-lyric booklets (shades of Charlton Comics and Hit Parader there) in the early 40’s, and introduced a true crime magazine in 1946, then evolved into comic books. They published 18 different series for a total of 77 different issues. While they published Elsie The Cow comics (character licensed from Borden Dairy!), romance comics, and westerns, most of their product was crime-oriented: EXPOSED, GANGSTERS CAN'T WINJEFF JORDAN US AGENTPayoffPublic Enemies, UNDERWORLD and the comic under review for today, WHODUNIT?


WHODUNIT? lasted for three issues, each a generous 52 pages, and each seeming like a comic book version of a Monogram Charlie Chan or a Columbia Boston Blackie movie, minus the famous detective. WHODUNIT? is tight, focused, well-detailed, fast-moving, with colorful supporting characters, like a solid B-programmer crime film. All three issues are available in handsome exact reprints from our friends at goldenagereprints.com, and I highly recommend them (the originals go for big bucks nowadays, and you’re unlikely to ever find one in a junk store or at a flea market at this point) to the detective-story fan who is not getting enough from novels, magazine stories, B-movies, and 50’s and 60’s crime TV shows. After all, you can never get enough! I’ve read each of these issues a number of times, and I regret that the series only lasted three issues.

Issue #3 features five stories, ranging from 7 to 12 pages, but each is long enough to introduce a number of characters, to work in sub-plots, and to present a number of scenes or settings....just like a 58-minute B-movie or a short crime novel.

"Secret of the Seance", the 12-pager, drags in one of my favorite elements found in crime fiction and films: the phony psychic (note: be sure to watch BUNCO SQUAD, recently reviewed here at BTC, for a classic crime film with that plot). "Case of the Faked Photo" deals with the murder of a man who ran a photography shop and had two disreputable employees who are obvious suspects. "Blueprint for Death" is set in the world of crooked construction companies who use substandard building materials and are fronts for organized crime.....and KILL anyone who exposes them or gets in their way. In "Death Joins the Party", a small-time hoodlum (Willie The Croaker) is bumped off for no apparent reason, but clearly, he knew too much about something. And "The Red Haired Vixen"...well, let me quote the actual text: “what looked like a routine suicide case turned out to be a three-way mystery for Lt. Jim Kirnan and his assistant Chuck Ballantine.”

You also get a one-page crime-comedy item called "Who Done It", consisting of six one-panel “blackout” sequences which are essentially jokes. Of course, there just has to be a short story as filler in such a comic, and this one, "Murder to Music", is not half-bad, involving a murder at a nightclub and a suspicious dance team. Many crime films of the 1940’s featured nightclub sequences (studios such as Columbia and RKO already had nightclub sets which could cheaply be re-dressed, they could work in a musical sequence and feature an ingénue whose career they were trying to promote, and most importantly, they would kill 5 minutes of the running time inexpensively while providing a little glamorous “atmosphere” to the film), most of which are at best tangential to the plot, so that world (which would be more than familiar to crime-film fans who’d never been in a REAL nightclub) is the perfect setting for this clever story with an arrogant killer who thinks he’s found the perfect cover/alibi for the crime. You can almost taste the watery cocktails and hear the lugubrious torch-songs

I’ve read each of the three issues of WHODUNIT? a number of times, and how I wish they’d published more of them. There were a lot of small, independent comic-book publishers in the late 1940’s. It was truly a golden age, but surely distribution was a problem, because as with films and music and publishing of any kind, the majors have the distribution sewed up, and the successful smaller outfits have established channels and sales outlets, so any new kids on the block are viewed as competition and kept out. I’m really anxious to find copies of some of D.S. Publishing’s other crime comic books: EXPOSED, GANGSTERS CAN’T WIN, PUBLIC ENEMIES, etc. There’s surely some exciting and hard-boiled reading there.

As with many of these exact reprints of off-brand comic books printed on cheap newsprint, they’ve become yellowed over the years, and the crisp computer scans of the aged pages give them a kind of sepia-tone which is quite attractive and fitting for the mean streets full of crime that the books depict. Who needs these trendy reprints which are “sourced from mint syndicate proofs.” We at BTC prefer ours scanned from stained and yellowed and frayed actual copies that have made it through decades in someone’s garage or in a box in the basement of some tenement. Like the sound of scratches and surface noise from a vintage 45, like the splices and scratches on an original 16mm TV print of some Republic or Monogram crime film, like the split spine and mildewed and brittle pages of some Mike Shayne 50’s paperback crime novel, it’s the feel of authenticity, of being real, of being part of some actual human being’s reality at some time----not some sanitized or cloistered archival item. Get your reprints of this WHODUNIT? series now while you still can, and step into a seedy rooming house and stumble over some clues.....light up a Chesterfield, pour yourself a few fingers of Old Crow, open the window onto the fire escape and let in some of the polluted night air to dissipate the smell of stale sweat, cheap dime-store cologne, and the ass-scent from the seat of those pants you haven’t washed for two weeks, and before you know it, you may well be IN one of these stories.

Saturday, November 05, 2016

It's been another slim week here as you can see. Personally I'd chalk it up to the pre-election jitters but since I ain't experiencin' anything like that maybe I oughta think up a much better excuse! Howzbout this---the Post-Rock Era Depression miasma. Now that sounds a whole lot better, and is a whole lot more truthful as well!

Anywah...got some ginchy goodies to blab on about including two platters sent me gratis if you can believe it, one from Bruit Direct and the other from Feeding Tube who have a pretty wild selection of newly-released longplayers available that I just might be snatching up myself once the moolah situation improves around here. And, since I've been stalling around quite a bit, most of the wares being reviewed were sent me by Robert Forward whose CD-r burns always seem to sink to the bottom of the pile while Bill Shute's and Paul McGarry's float to the top like...well, I won't bring that up!...which is why I decided to give him a special showing this week so t' speak. Who knows, maybe there is something in this stew that'll set your corneas on fire when they pop up right in front of you at the 2029 flea market of your choice!


Theoreme-L'APPEL DU MIDI A MIDI PILE LP (Bruit Direct Disques France, available via  Forced Exposure)

Another what wonders will amaze release from Bruit. Electronic clank yet rock 'n roll sounds from Theoreme (a person, a solo artist, a being to be reckoned with) that manages to once again bring back a whole lotta the good stuff I liked about 70s/80s cusp under-the-underground music that sorta got new unto gnu waved (copyright 1982 Bill Shute) away as the years rolled on. Again the overall effect reminds me of the Metal Boys' TOKYO AIRPORT which somehow has become a dark horse fave of mine and if you still have a heart for synthesized sounds done up somewhere between the descent of Throbbing Gristle and the rise of "dance-oriented electronics" this might find a soft space in your obviously aging (and I should know!) head.
***
Palberta-HOT ON THE BEACH LP (Feeding Tube, available via Forced Exposure)

Sheesh is this a crazy 'un. Nutzo low-performance primitive punkoid sounds that, like a good portion of these Feeding Tube platters, has a strange autistic appeal to it that gives me the impression that everybody connected with this should be sent to some special home where their needs can be fully attended to. The hypers at Forced Exposure have been comparing this trio to the creme de la Rough Trade aggregations of the v. late-seventies, but I find this one to be closer to some of the Amerigan outsider efforts of the seventies (Shaggs---LP recently reissued!) onward. Don't let the contemporary date fool you...this ain't some amerindie cutesypie offering for girls who dot their "i"'s with smiley faces. Another outta nowhere surprise that just might worm its way into your heart among other orifices.
***
Joel Futterman Trio-BERLIN IMAGES CD-r burn (originally on Silkheart, Sweden)

Never did hear about this Futterman guy before, but he's pretty hotcha if I do say so myself. Kinda reminds me of Burton Greene in his approach to the ivories the way he tends to go all over the instrument with a hefty debt to the classics tossed in there somewhere and a whole lot of Bushido tossed in everywhere. Not only that but the guy's got former Cecil Taylor sideman Raphe Malik on trumpet so there is that all-important connection between the nineties players and the seventies height of jazz gnarl. Not that bad...might be worth an internet search to find a freebee burn if you are so inclined to do things of that nature, ya cheapskate!
***
Robert Kidney-JACKLEG CD-r burn (originally on Exit Stencil Recordings)

Here's an outta the ether release that I wasn't even aware of, a solo platter from the Numbers Band leader doing the blues thang in a more...uh...traditional style. Not quite the white blues guy syndrome sound that one (who is unfamiliar with the Numbers) might associate with a release like this, Kidney sorta straddles the strange valley between Peter Laughner and Jandek on these dank and downright gloomy tracks that prove that those of melanin deprivation might just as be entitled to sing these songs of sorrow without being beaten to death for cultural appropriation. Again the perfect platter for a dank overcast Sunday afternoon bound to trigger memories of fine youthful goofoff times that always (at least to me) seemed the highlight of a perfect suburban slob upbringing.
***
The Girls-PUNK-DADA PULCHRITUDE/The Gary Wilson Trio-ANOTHER GALAXY CD-r burn (originally on Feeding Tube)

Forward decided to gimme another chance with the Girls album, and although I have an aversion to groups featuring nothing but males who use the word "girl" in their monikers (oh how precious!) I gotta admit that this particular collection is howshallIsay just TOO 1979 short hair 'n birth control glasses dated for me. Y'know, the kinda under-the-new wave art rock that might have sounded pretty innovative next to the radio drek of the time but by 1982 boy did I feel like I was taken! Still has its fair share of innovation and interesting moves to keep more'n a few aficionados of the form poppin' 'n nothing wrong with that!

The pre YOU THINK YOU REALLY KNOW ME Gary Wilson Trio does some rather entertaining jazz that kinda borders between space lounge and freeform, and somehow I get the feeling that if Bob James never went the TAXI route his albums coulda ended up sounding like this! Of course if they did he wouldn't have gotten anywhere in the world of schmooze but hey, what a price to pay to get the worldwide adoration of lameoid martinis and bowtie listeners, eh?
***
Sunburned Hand of the Man-MIND OF A BROTHER (Bonus Disc) CD-r burn

Here's an act that I've been trying to ignore for quite some time. After all...what kinda name is "Sunburned Hand of the Man" anyhow??? Now if they had a name like the Bonehead Bumbles or Tidal Waves I'd really go for this bunch but "Sunburned Hand of the Man"???? Well, despite their moniker I gotta admit that I thought that Sunburned put out a rather interesting release. Kinda starts off meandering and going off on tangents albeit in a nice sublime way (think Art Ensemble of Chicago circa. PEOPLE IN SORROW) before it hits on a raga rock groove with these weird screams interspersed. And then it gets back into that weird under-the-consciousness neo-noodle that ain't bad at all. Nothing I'd want to listen to regularly, but good enough for what it is.
***
Various Artists-RUBYDUBY WIPEOUT JETBLACK BEND CD-r burn (Bill Shute)

Bill musta been watching BATMAN when he slapped this platter out! This 'un's got EIGHT count 'em EIGHT  BATMAN and related tracks recorded by people both famous (Duane Eddy) and not (the rest of 'em) tryin' to cash in on the Batmania that was goin' on back '66 way and obviously not doing a good job at it considerin' just how bad these tracks bombed. Awwww I like 'em, even the Sierkowski Family's attempt at mooshing together the infamous "Batman Theme" with the Surfaris' "Wipeout" which I'm surprised hasn't been done since given the glorious obviousness of it all.

The rest ranges from interesting if not gutzy teenage garage pop (Tony Vaughn) to late-fifties gal pop (the Toalson Sisters) not forgetting this interesting single by the Potatoes in which Dave Dee Dozy etc., "Bend It!!!" hit is actually predated by this heretofore unknown bunch! Fantastic selection of tracks you got here Bill...I can only hope you slap the next 'un together watching LEAVE IT TO BEAVER. After all, who knows what you'll come up with watching that 'un, eh???

Wednesday, November 02, 2016

MOOM PITCHER REVIEW! BUNCO SQUAD starring Robert Sterling, Ricardo Cortez and Douglas Fowley (1950)

Nice li'l late-night cheapie here that looks like it was made on a scaled down budget worthy of your class trip to Cash Market. Of course that's one thing that always appeals to this kinda kiddoid who grew up on these kinda television time fillers 'stead of the PBS moosh I'm sure most of you were force fed by your progressive parents. Am I right, you insufficient SJW mouth breather you????

Robert Sterling plays wholesome bunco cop Steve Johnson, who with sidekick Douglas Fowley and galpal Joan Dixon set out to stop an amalgamation of fortune tellers and other soothsayers (led by faded handsome leading man and eventual perennial badski Ricardo Cortez) from swindling an old lady outta her fortune by convincing her that her late son has been contacted in the afterlife via Princess Liane, who ain't no Valda Hansen in NIGHT OF THE GHOULS but so what!

I've been big on these kinda flickers ever since I was able to put the tee-vee on all by myself, and I gotta admit that these post-WW II early-fifties kinda films have an interesting sublime intensity to 'em. It's the same intensity that those early ADVENTURES OF SUPERMAN with Phyllis Coates as Lois episodes had, y'know---the ones with the gas attacks and the dead dog and stuff you never would have seen in any of the later more comic book-oriented (if still apex) episodes. There's lotsa action galore too with three count 'em severed breaks on cars situations with those great swerve scenes as the car travels down one of those typical wavy b-film roads. You can bet that you're gonna get your money's worth had you caught this one on tee-vee some time in 1962...I mean, how much did it cost to run a set back then???

Sterling plays it cool yet tough as the dick out to get to the head of the big racket, and thankfully men haven't been emasculated to the point of mewl then like they are now (these days the role would be made for a "self sufficient woman" type, something I think is an oxymoron of the most moronic type). Fowley's of course boss as Sterling's fellow detective (strange seeing him on the good side of the law especially after that great ABBOT AND COSTELLO episode where he cons the two into robbing a bank for him!) and Dixon as Sterling's actress love interest is as good as these leading b-film gals can get...like many of the women of the screen you kinda get the impression that she was a real innocent flower of a femme, though I guess the reality of the situation is a good 180 spin as it is with many of these wholesome-looking actresses of the past. Just ask Don Fellman.

Oh, and speaking of SUPERMAN like we were, don't blink or you'll miss a brief appearance by John Hamilton a.k.a. to you Perry White as a lawyer!

Monday, October 31, 2016

COMIC BOOK REVIEW BY BILL SHUTE! GUNFIGHTERS #82 (Charlton Comics, January 1984)

Charlton Comics was running on fumes by the mid-1980’s. They still had a distribution network, but their non-comic publications such as HIT PARADER were not what they once were (HIT PARADER in the mid-to-late 80’s was a metal-oriented magazine! More often than not, Ozzy was on the cover. I also remember they would champion the 1980’s Kinks, for which I thank them). I cannot quote chapter and verse on this, but from the Charltons I bought back in the 80’s and the ones from that era which I’ve found cheaply and purchased in the years since then, it seems they relied a lot on reprinting older material (they were so starved for cheap content, they even encouraged fans to submit comics for consideration). Many of Steve Ditko’s earlier Charlton comics were reissued in this period, although at the time, I did not know if they were new or old. Ditko liked the creative freedom he’d been given at Charlton (kind of like director Edgar G. Ulmer at PRC Pictures....if you would work cheap and were a professional who could deliver a product on time, you could do what you want creatively--the boss was concerned only about having product), so whenever I stumbled across a Ditko piece in HAUNTED or GHOST MANOR or some other Charlton title back then, I did not know if he was back at Charlton again or if it was older work being re-used (and with the exhaustive comic histories now available on the internet, I’ve learned that some of his work re-published by Charlton in the 80’s was more than 25 years old!!!). After all, there is a timeless quality to a horror comic.

The same was true for western comics. It’s not like those would date, and Charlton was never a publisher to go for contemporary or edgy/artsy comic art. It’s kind of surprising that there was still an audience for western comics in 1984. I would still buy them here and there, but based on my observations at the time, I’d say that they tended to be most popular in the small and moderate-sized towns of the Midwest, South, and Southwest. Charlton had had a number of successful western comic series over the years, some based on figures such as Billy The Kid, others based on western film stars such as Lash LaRue or Tex Ritter. When I was growing up in Colorado, there were still many “ghost towns” and also small towns that still looked like they belonged in some 1930’s independent western shot on real locations and not constructed sets. As a teenager I worked at the County Fairgrounds (right down the hill from where I lived), which featured rodeos, and there were always horses there (and shoveling horse manure and digging post-holes there was my first “real” job at age 14, not counting earlier lawn-mowing and the like), so when you add all that up, it’s no surprise that I chewed tobacco as a teenager and wore cowboy boots for a few years (I had to re-learn how to walk properly after I finally got rid of the boots) and read western comic books....and was still buying them in my 20’s (heck, I STILL buy them today, when I stumble across them at junk stores and antique malls and they are cheap).

GUNFIGHTERS is a series Charlton ran in the 60’s and then revived from 1979-1984 (this particular issue is the second-to-last). Of course, that’s such a broad concept that you can throw almost any western comic property into it. Western comics tended to have more gunfights and bank robberies than the cattle rustling or water-rights plots you’d see in B-western films. I suppose cattle rustling would not look too exciting on the comic page. This later run of GUNFIGHTERS consisted of a lot of old western material from the 50’s and 60’s, reused here in a new package. Much of the content in this 1984 comic is reprinted from a 1966 issue of OUTLAWS OF THE WEST. In fact, the cover of the 1984 GUNFIGHTERS comic is just a re-tooling of the old OUTLAWS cover (see pictures of both). (Ed. note---this is nothing new is comic book rehashing---DC and Marvel were also famous for re-using old covers, at times updating them with pictures of Nixon where Eisenhower once was!)

At the core of this issue we have three stories dealing with outlaw Cole Younger, of the Younger Brothers fame, and colleague of Frank and Jesse James. The stories depict various bank robberies, his time with Quantrill’s Raiders, and his time in the Confederate army....the “Blazing Fast, Six-Gun Action” ballyhooed on the cover is certainly delivered, but Younger is not really depicted in an interesting way. Even in a minor Billy The Kid product--movie or comic book or pulp story or whatever--Billy is usually either wacko or charming or misunderstood or whatever, but there’s some motivation for him to do what he does. The same is true for Jesse James. The stories here tell of how Younger worked his way up to his famous outlaw status....and we do get a story devoted to the legendary botched Northfield, Minnesota robbery that ended his criminal career, as well as explaining his final years in prison after that. The problem is that he’s basically a cipher, a place-holder. There’s nothing really distinctive about him in any of the three lengthy stories, no backstory that provides motivation (and that could have been provided in one or two panels, as most kids reading this might know his name but not his “legend,” whatever THAT was), not even any character quirks or distinctive habits.

However, I cannot imagine some 12 year old living on a ranch outside Goodland, Kansas, would be complaining much. There’s action, gunfights, scheming outlaws, colorful western settings, the expected clichéd western dialogue, etc., and Cole Younger is one of those famous “outlaw names,” so what else could the juvenile or adolescent reader want? Charlton, cynical though it may have been, certainly knew its audience.

And speaking of audience, it’s often said that if you want to know a publication’s audience, look at the advertisements. Clearly, most of the ads are aimed at adolescent and even adult (in their 20’s or 30’s, maybe) readers, NOT children. There are the expected Charles Atlas-style “be a he-man” ads, but there are THREE different FULL PAGE ads that deal with wanting to use mind-control over another person, and it’s strongly suggested that that’s a woman. One is selling a plastic “Venus Love Goddess” statue, which you are supposed to use “thought power” on and then MAKE SOMEONE LOVE YOU FOR ONLY $3! There’s another one promising AUTOMATIC MIND COMMAND and then another selling some booklet on HOW TO READ ANYONE’S MIND, with a picture of a woman in a bra having her mind read (presumably by the sweaty-palmed reader). It does not take Dr. Freud to figure out what audience these ads are aimed at and what deficiency (or perceived deficiency) in the readers’ lives is being manipulated here. The ads for weight-loss products (do 12 year olds need those?) and hair-loss products further confirm the older members of the audience for this mag.

For me, the glory days of lowest-common-denominator, mass-market comic books died out with Charlton’s going under in the late 1980’s. When you pick up a late-period Charlton comic such as this one, you are taking a walk into a pre-Internet world where comic books were not some specialized, fetishized cult product around which a nerd-underground would form. No, they were a taken-for-granted, low-end part of popular culture. They were considered throwaway, of no lasting value. And that, of course, is why they are of value, why they are a pure creation, why they are a window into a world that will never return, a world that is little understood by those who did not live through it in the belly of the whale, a world that revisionist historians and cultural critics don’t even bother to get wrong as they don’t care about it. We at BTC remember, however. And we’ll never forget, until we reach that Dodge City in the sky, where there’s no internet, where people are not chained to portable devices feeding them corporate content and manufactured info-tainment masquerading as news, where there are still UHF stations that fill their broadcast days with dubbed historical Italian adventure films starring Lex Barker and Guy Madison and public domain 1950s TV shows, where Charles Starrett and Tim Holt and Gene Autry come to mind when the word “hero” is spoken (and where we know the names of their horses), where Mickey Spillane is still writing new books and doing beer commercials, where Mamie van Doren is entertaining the troops overseas, and where Elvis is still around and appearing next week in Wichita or Tulsa. If you wanted to, you could drive for five hours and catch The King live....and if you are a lady, he might throw you a scarf. Unfortunately, the King is dead...and I’m not what I once was either....but I refuse to get a smart-phone and I don’t drink lite beer....I’m not interested in whatever “app” they want me to download, and I will not pay Starbucks $4 for a bitter yuppie cup of coffee.


Saturday, October 29, 2016

Well I'll be fanabla'd! We've actually had some nice 'n dark autumn days here just perfect for stayin' marooned in my bedroom reading old comic book/strip collections and listening to those cool Cee-Dees that Bill, Bob and Paul have sent my way. In udder words I finally got a chance to lean back and do some battery recharging for a change, and boy do I still feel tired!

Sheesh, if nobody was looking I'd even drag alla my old Corgi and Dinky Toys out and make up a city street scene like I used to do back during those funtime turdler days of yore, kinda lookin' over the pretend buildings and cars as if I were none other than God himself while PETE AND GLADYS reruns blared from the boob tube.

(Speaking of PETE AND GLADYS didja know that this DECEMBER BRIDE spinoff is where I first found out at a young and tender age about hypnotism via an episode where Pete [officer Bill Gannon of DRAGNET to you!] either hypnotizes or is hypnotized? Still can remember seeing him swinging that pocket watch back and forth telling his subject that he was getting sleepy asking my mother what the *%#& was going on! It was aired during the mid-late morning hours when CBS was using this by-now canceled show to pad time before the game shows came on, and if anyone out there who is writing a biography of me can find out when this particular episode was rerun you can pinpoint the very same day I discovered this rather occult if fun-looking practice, so get to work all of you budding nitpickers out there!)

As far as the music being reviewed this week goes well...didn't get to the Bob Forward burns quite yet (actually I played one whose title escapes me that begins with a freaky electronic sound reminiscent of Faust, though by the time the latest MX-80 Sound album came on it was stop and go all the way---guess that will be part of my next Forced Exposure order sometime in December!) nor did I get to the freebees that Feeding Tube and Bruit Direct Disques passed my way, but I did get to the following bunch which only goes to prove that one of my weeks probably equals one of your seconds and though you will probably out-live me at least it'll all seem longer in my case!


Rubber City Rebels-RE-TIRED CD-r burn (originally on White Noise Records)

From what I can tell this release's got the Rubber City Rebel side of the Clone album they shared with the Bizarros along with a then-contemporary live show that actually sounds way snatter'n what the cover notes suggest. Either way these recordings prove that the Rebels were not one of those carbon copy punk rock acts that certain wags made 'em out to be but one that in fact took more'n just a "few" cues from the more metallicized punks of the past---y'know, the ones who for some reason weren't that popular with a good portion of the spiky haired gang once 1977 rolled into town even though they made it possible for those kinds of bands to spout up inna first place. Overall a great slice of rock 'n roll music that sure brings back memories, not of actually appreciating this music first-hand but trolling through the used bins of the Cleveland/Akron area looking for items like these tossed off by preppies moving onto even more hip 'n with it sounds once the sublime seventies were moving into the aching eighties.
***
Frumious Bandersnatch-A YOUNG MAN'S SONG CD-r burn (originally on Ace Records, England)

I always had the inkling that San Francisco's Frumious Bandersnatch woulda been one of those loco groups who came closer to the likes of the Flamin' Groovies and Moby Grape in their approach to West Coast caterwaulings than they would the Grateful Dead and Jefferson Airplane. Y'know, with more of the good timey yet driving guitar and harmony vocals that both the Dead and Plane might have excelled in at one point but ditched once the acid became a li'l purer than any of us woulda imagined. Turns out that (once again) I was right because this live at the Matrix gig has the Bandersnatch cooking the way you liked the Grape to...with wild lead guitars intertwining along with vocals that haven't yet reached the Whole Grain "Suite Judy Blue Eyes" stage at this time. Pretty exciting music was to be made that night, although I should admit that the gig gets slightly tiring in spots when the music just doesn't adrift the way I woulda liked it to. Maybe that was just my stressed out nerves collapsing after a usually hard day. Still wouldn't mind hearing their legendary if obscure self-produced platter.
***
Various Artists-SELECTIONS FROM ARCO RECORDS WILKES-BARRE, PENNSYLVANIA CD-r burn

If ya ask me these tracks really ain't that much different'n a whole lotta the local action music you woulda found in most parts of the US of Whoa during the fifties. In other words, if you're thinking of heading towards Wilkes-Barre Pee-YAY! to cop something different from the usual musical blooze, save the gas money. Most of these single sides are pepped up pop numbers that might give you a tingle (Joe Noto and his Diplomats with Phyllis Ruby and the Rea Sisters' "The Rock 'n Roll Beat" had a strange appeal that might be only rock 'n roll in name but wha' th' hey!) but for the most part music like this just doesn't work over my psyche unless it has something to do with bringing back memories of hygienic and nice looking ladies who served cheeseburgers in long-gone dives. Don Woody's "Not I" has a slight rockabilly romp to it that might appeal to the more serious lovers of the form, but then again as many people have said these past thirtysome years what do I know???
***
Billy Childish with the Singing Loins-AT THE BRIDGE CD-r burn (originally on Damaged Goods)

If you thought that folk music was more or less performed by a buncha pampered upper-class self-blessed deities who were so ashamed of their standing in life that they just hadda do some spiritual slumming by donning old clothes and yodeling about the plight of those less fortunate than they are (unless they're not that
less fortunate, that is!) well, maybe you are right! However, these supposedly old English folkie classics (yeah, right!) as done up by the legendary Billy Childish along with the Singing Loins kinda put the folk (as in downhome slobs who hack up a whole lotta coal-laden phlegm) back into folk music ifyaknowaddamean. With their guttural English accents and clangy playing, Childish et. al. actually do sound more like some authentic folk music performers rather'n cultured musicologists and even when they slip some standard rock riffs into their work it still comes off down to earth. Best of all, no "Kumbaya" to be heard let alone "Tom Dooley"...put that in your sweat sock and smoke it!
***
Frank Foster-FEARLESS CD-r burn (originally on Prestige)

Bill Shute knows that I could use more 'n more freedom avant jamz in my musical vocabulary, but these bop sides are a nice diversion from the usual atonal fun. Foster and band drive through mostly a bunch of originals doing the late-fifties jazz groove thing pretty well-behaved and all, and it did make for a good afternoon off reading old comic strips and the like. Though between you me and the bedpost, for music that really grabs me by the psyche and drives me into a whole load of universes only autistic art appreciation minors could conjure up in their feeble minds its the hard drive of BYG, Arista/Freedom and anything even remotely connected for me and (at least I feel like this some of the time) NOTHING ELSE AT ALL!!! I do appreciate Bill's attempt to edjamacate me the same way Veronica would ply Jughead with anchovy paste and cologne to acquaint him with the finer things in life but sheesh, maybe I am too ruff 'n tumble to be tamed!
***
The Bintangs-BLUES ON THE CEILING CD-r burn (originally on Decca Holland)

Former "indorock" group from the Netherlands that, unlike genre leaders the Blue Diamonds and Tielman Brothers, didn't go the soft adult contemporary path to midaged musings once the Golden Age began to tarnish. In fact if this platter is any indication the Bintangs became a pretty solid r&b group whose output was...shall I say...rather kinetic in attitude and performance even if overall these guys were nothing that special next to the likes of the Pretty Things or Downliners Sect. Nothing punky about 'em true, though if you tend to go for some of the wilder reimagings of old standards done up for the solid body guitar set complete with long locks and psychedelic attachments you just might go for this 'un!
***
THE EASY CHAIR CD-r burn (originally on Vanco Records)

Jeff Simmons' "Lucille Has Messed My Mind Up" was one of the better tracks on the ZAPPED one buck Bizarre/Straight Records sampler of yore and I personally think it was a smart move for Zappa to have tapped him for the Mothers of Invention Mark II even if he didn't last so long. However I can't say too much uppity about Simmons' pre-Mothers Easy Chair, a group that sounds like they might be on the verge of hitting an interesting rock groove but never really follow through the way you would have hoped. Kinda dirge-y music in fact. Maybe I can see why Zappa would foot the bill for two Simmons platters for Straight...after all wasn't that label supposed to be a tax write off (but eh, if I recall correctly those records were rather good---not that I've played them recently!)???
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THE ADVENTURES OF OZZIE AND HARRIET CD-r burn

Yeah we're all familiar with the tee-vee series, but how many of you remember that before those days Ozzie and Harriet Nelson were also the stars of stage, screen and radio? Here are two 1945 vintage episodes of the radio version of THE ADVENTURES OF OZZIE AND HARRIET that should satiate any red-blooded fan of the television series, the first having to do with David (not played by the actual David Nelson---the real life kids weren't used until TV) selling one of Ozzie's old suit jackets to make some moolah and the other Ozzie's hypnotic abilities having more powers than any real-life hypnotist could dream of! Both are pretty good chuckle-oriented (in fact I believe the first one was re-done for the boob tube) and I was certainly surprised by the presence of Gloria the cook who never did pop up during the program's televised days. She sure sounds like a funny corker with that voice of hers and I'm sure that had she stuck around she really woulda lent some hefty belly laughs to the proceedings!
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Richard H. Kirk-DISPOSABLE HALF TRUTHS CD-r burn (originally on Industrial Records)

Cab Volt foremember Kirk does good on the solo schtick, though there seems to be a humongous dimension (perhaps the rock 'n roll osmosis for wont of a better somethingorother) missing without his bandmates adding their guitars and squeals. Still good enough for a taste of the electronic music via punkist concerns thingie that was a real big smash back inna late-seventies, what with the industrial electronics whirring all over the place while strange tape loop voices try to convince you to do things you never thought you would wanna do in a millyun years. Sometimes I think I'd like to clobber these electronic music abstractions for plagiarizing my dreams, but Salvador Dali said the exact same thing about Robert Cornell quite awhile back and maybe if I do have to plagiarize better Dali'n anyone else on this planet!
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Various Artists-SUNDAY PINOCHLE RUFFLES CD-r burn (Bill Shute)

There's a nice third world-y tone to this 'un, even though I doubt that the Los Angeles Azules could be considered third world by any stretch of the imagination. Still their "Rita" has this East El Lay sound to it that sorta reminds me of something that Zappa wouldn't have minded ripping off during the early-to-mid-seventies.

The African music suits me better'n a Brooks Brothers special as well, especially the Nigerian guitar playing of Mohamed Karzo whose "C'est La Vie" has a nice mournful tinge to it that kinda fits in with the dour weather we've been having these past few days. (So does Ketty Lester's "Gloomy Sunday", perfect for these overcast autumns that have you digging into the ol' comic book collection.)

On the other end of the spectrum, the "Unknown" group play a kinda snazzy form of progressive rock that ain't all fluff 'n fairies like Yes were, while Lee Morgan and Duke Ellington present some nice jazz soul that actually fits in well with the rest of these spinners. And with the Como Zoo Carousel Calliope and the All Star Trio battling against Steve Lacy, everything but your mind is bound to come up winnin'.

Nice selection that, whatever it has in it, ought to be bottled and sold like Scope.