MOOM PITCHER REVIEW! TICKET TO DIE (a.k.a. INVITO AD UCCIDERE) starring Lewis Jordan (not the jazz guy, that's Louis---1966)!Eyetalian spy films seem the stuff of Sunday afternoon sixties/seventies UHF teevee, and undoubtedly that's the feeling I got watching this particular endeavor. Lewis Jordan (or as he's known in the homeland Tiziano Cortini...what kinda name is that?) stars in this espionage flick as a secret agent who is let out to pasture for "health" purposes that, as the dialogue suggests, might have been brought on by himself. In order to make a big bundle (as if a secret agent's pension pays beaucoup) Jordan's on the hunt for a special formula divided into three separate pieces scattered across the European continent which he plans to sell to the highest bidder, and it ain't the recipe for Kentucky Fried Chicken either! Meanwhile he has to fight some tough guys and gets whooped pretty hard while also having to match wits with a former spy/friend doing a little catmouse, all the while taking heavy dosages of pain medication for reasons revealed toward the end of the moom.
Good stuff actually. Not brain-rendering or anything like that and kind of run through quickly if you know what I mean, but it has that mid-sixties spy feeling that I certainly remember from watching MAN FROM UNCLE and laughing my head off silly when that radio-controlled plane starts chases some scientist into a tent before exploding because it seemed so ridiculous. (And boy did I get yelled at!!!) Good dark ambiance here with of course the typical violence to keep our interest up. I especially like the part where some confederate meets his maker after the phone booth he's in when its picked up by a crane and dropped from a height of at least 100 feet! I wasn't laughing at this one like I was when that model plane blew that scientist to pieces, but it did give me a slight throb thrill.
Of course just about any highbrow film snob'd up his nostrils at this spy craze pseudo-cash in, but then again that's why they don't tune into BLOG TO COMM now, isn't it?
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